Showing posts with label Claypipe. Show all posts
Showing posts with label Claypipe. Show all posts

December 23, 2007

NZ Series #2: Antony Milton, Stefan Neville and Clayton Noone



"Hi,

I wouldn't mind this all so much if maybe you could have an active link to my label webpage...
www.pseudoarcana.com
Some people still may be prepared to buy all these bloody cds I spend so much money and blood and sweat producing.
Haha.
Cheers bud,
-Antony Milton"


Antony,
These albums are all surely collector's items, and my intentions are to make all of them at least visible specially to latin americans (as I am) and to everyone else whose access to this great music is restricted in many means. I really appreciate your consideration. Keep up the great work!
obs: other labels included in this post are Last Visible Dog, Root Don Lonie for Cash and Pink Skulls.

/

This selection is intended to be in some way a pre-Pumice post. Pumice is Stefan Neville's main musical vector, and it will posted here shortly.

  1. 1. STEFAN NEVILLE
  2. 2. ANTONY MILTON
  3. 3. STEFAN NEVILLE + ANTONY MILTON
  4. 4. STEFAN NEVILLE + CLAYTON NOONE
  5. 5. CLAYTON NOONE + ANTONY MILTON
1. Stefan Neville

Albeit Pumice's discography is virtually impossible to measure, this album enters Stefan Neville 's portfolio as an unique recording. Firstly, this was not released as an umpteenth Pumice record, but as Stefan Neville, no monikers at all. With guests Antony Milton and Clayton Noone (not coincidently the ones covered below) and others, Do Not Destroy justifies its odd authoring adoption as it is maybe the first time Neville is not bending the concept of pop music. Instead, this is abstractly challenging, more process oriented than Pumice's aesthetical endeavors.

(2006) Stefan Neville - Do Not Destroy / 208 VBR
(removed)


2. Antony Milton

All released by Milton's own Pseudoarcana label, these records show much of the work of this drone aficionado. Glory Fckn Sun is a superb free noise improv trio formed by Antony Milton, Ben Spiers and Simon O'Rorke. Vision Scorched gathers the abstraction of noise, the eerie slow paced layer morphing of dark ambient with psychedelic elements taken to extreme. Milton's guitar work in Vision Schorched and in solo attempts, specially in Guitar Has Strings, is much similar to Steven R. Smith and Loren Mazzacane Connors.

(2007) Glory Fckn Sun - Vision Scorched / 219 VBR (V0)
sharebee


(2006) Antony Milton - Guitar Has Strings / 128 VBR
sharebee


(2007) A.M. - Orla / 192k
sharebee


3. Stefan Neville + Antony Milton

This is Neville and Milton's ambient duo. Sunken is beautifully built by organ drones, analog feedback and homemade percussion. A marvelous debut album.


(2004) Sunken - Sunken / 256k
sharebee


4.
Stefan Neville + Clayton Noone

(2003) Pumice & Armpit - Society of Dogs (Split) / 192k

sharebee


(Unknown) The Ideal Gus - All My Life I've Loved You / 192k
sharebee

(Unknown) The Ideal Gus - No Ballheads / 144 VBR
sharebee

5. Clayton Noone + Antony Milton

Both newzealanders entered the Jewelled Antler family with Claypipe. The label aesthetics of open air recording are adopted following the steps of fellows Glenn Donaldson, Loren Chasse and others. Live recorded minimal lofi folk with analog drones.

(originally posted in the Jewelled Antler Library section)

(2003) Claypipe - Wayside / 160k
sharebee

December 4, 2007

The Jewelled Antler Library


Anonymous said...

"could you remove these for now? we are reissuing the library later this year on Porter Records.

thanks,
jewelled antler people"

"Jewelled Antler is a loose affiliation of musical artists centred around the releases made or affiliated with two people, Glenn Donaldson and Loren Chasse of the Bay Area, San Francisco, USA. The artists combine an interest in recording spontaneously in natural settings that helps bring about an inherent connection between the music and the surroundings. Their musical inspirations are varied and range beyond folk music to music from India, experimental punk, 60s pop and much more.
In style the music moves in a range between folk acoustic and processed field recordings/collected sounds. Although it is perhaps over simplistic to say so, Glenn seems to bring the more folky element to the music with Loren bringing an interest in exploration and capture of natural sounds. The artists that are directly associated with the Jewelled Antler name have often evolved spontaneously around Glenn and Loren as they travel, meeting friends and fellow musicians.
Music is often recorded live, out doors and direct to tape using instruments that can be carried or powered by batteries, from stringed instruments, mobile keyboards to hand percussion. The structure will often appear improvisational although there is a song writing craft at its heart. Afterwards the music will be processed, edited, overlaid and interwoven with found sounds, fragments of speech, weather, gongs, digital noise, glitches and the like into a cohesive tapestry.
This combination brings together a new sound palette that is unpredictable, evolving and in its simplicity and directness, seems to continue and revitalise the original folk tradition. Acoustic music is often processed to be sound part of the tapestry alongside the other elements. Field recordings are an important element alongside new sounds gained by rubbing and manipulating such as leaves, stones and other natural components.
Although tagged ‘The Jewelled Antler Collective’ this is merely a useful name for artists working in a similar field who are connected with or sympathetic to the intentions which sit behind the music. At it’s heart it derives from the music of Glenn and Loren but extends through their musical friends in such countries as Finland and New Zealand working in similar areas." source


vol 1:
(2003) Loren Chasse - Green Laughter /


vol 2:
(2003)
Tomes - Dreadful Gift /


vol 3:
(2003) The Ivytree - The Sun is the Lamp /


vol 4:
(2003)
Hala Strana - Karst /


vol 5:
(2002)
Dead Raven Choir - Their Feet Are the Foraging Grounds of Wolves /


vol 6:
(2003)
Famous Boating Party - Silvery Branches /


vol7:
(2003)
Uton - Zwuij /


vol 8:
(2003)
Claypipe - Wayside /


vol 9:
(2004)
The Muons - The Well at Land's End /


vol 10:
(2003)
Thuja - Fable /


vol 11:
(2003)
Kemialliset Ystävät - Nuuhani Ni Haka /


vol 12:
(2004)
Fursaxa - Harbinger of Spring /

cagedream
.blogspot
.com

  • torquemada@live.com
  • last.fm/user/soidemersol

Search Cagedream

Users

Summary

Index

Reuploaded